Globally famed street artist Cyril Phan (a.k.a. Kongo) will be at the regatta to bring cutting-edge art to it’s ‘rightful place’ by the competitive, friendly nature of the regatta.
“Getting artists involved in the event is part of the DNA of Les Voiles de St. Barth, and we've entrusted the creation of several posters to artists over previous editions,” explained François Tolède, Organizing Director of Les Voiles de St. Barth. “We've offered Kongo the chance to create a piece on the theme of the sea and Les Voiles de St. Barth.”
“Since 1991, I have lived in Guadeloupe for half of each year. The Caribbean is a massive source of inspiration to me,” explained Phan. “My presence at Les Voiles de St. Barth this year is the result of a meeting I had with François Tolède last summer. He suggested I give a performance on a sail, which will subsequently be auctioned off for charity.
Painting on a sail is something new for me, even though I'm used to painting pretty much anywhere. It's going to be intriguing to do my thing within the context of Les Voiles de St. Barth.”
The Les Voiles de St Barth features several teams racing 56 yachts starting from 36’ to the iconic 100’ Maxi yacht Comanche.
This year, America’s Cup veteran Peter Isler and Olympic medalist Charlie Ogletree will be part of the crew aboard Odin, the Swan 90 sailing yacht that arrived in fifth place during the most recent edition of the Caribbean regatta.
In a closing statement from Phan, he explains how sailing is a new world filled with passion; “I love discovering other worlds. Three months ago I discovered the world of aviation, which involved painting a plane, and I'm continuing to explore the world of aeronautics through several collaborations, one of which is with the Fondation St Exupéry," he continues. "The world of sailors strikes a logical chord with me and my own journey. It's a thrilling world, filled with people who are passionate about what they do. Sharing my passion with them and discovering what makes them tick is bound to be an enriching experience.”